
Recently I visited the Royal Conservatoire of Scotland – Scotland’s national conservatoire for music, drama, dance, production, film and more.
I was there to work with students on their Access programme, which supports young people who are thinking about applying, and helps them build the skills and confidence needed for conservatoire study.
I led a session called “Owning your space online” about how creative people can use the internet to share their work, apply for opportunities, and be found by the right people.
From the start I was clear about what the session definitely wasn’t. I wasn’t going to tell young creatives they need to post constantly, or chase every new social media platform.
The young creatives said they are often told to “put themselves out there”. And while that advice comes from a good place, they said it can quickly become exhausting. “You need to post everyday”, “Why aren’t you on TikTok?”, “Have you thought about starting a podcast?!”
They told me they sometimes feel pressure to make the work, document the work, promote the work, and then package it all neatly for whichever platform happens to be demanding attention that week.
I don’t want young creatives to become dependent on an algorithm run by tech billionaires.
But I do want them to understand how digital spaces work, and how they can use them to their advantage.
Social media platforms still matter, but not every platform is right for every creative practice. A dancer, a composer, and a costume designer will all need very different online spaces.
During the session I led an activity that got the students to think about what platforms make the most sense for their practice, and which ones aren’t worth focussing energy on.

But platforms can change too.
We spoke about some recent examples where social media sites have become less useful, less safe, or no longer aligned with their values. Like Instagram‘s push towards Reels and video, and how the audience changed when Twitter became X.
If your professional presence only lives on someone else’s platform, you are building on borrowed space.

Owning your space online doesn’t mean abandoning social media. It means having somewhere stable to point people back to.
It could be as simple as having your own domain name, an email address you control, and a simple website or landing page. You might want a mailing list too.
Your website needs to answer some simple questions: Who are you? What do you do? How can someone contact you?
If someone is thinking about casting you, hiring you or inviting you to collaborate, they should be able to understand what you do quickly.
I’m also very grateful to the brilliant working creatives who shared examples of how they are using their digital spaces.
I had a great afternoon working with the students. As a small business owner (who also has a creative practice as a writer), I recognise we’re all working in a world where sharing online is often treated as part of the job.
Thank you to the Royal Conservatoire of Scotland for inviting me to work with the Access students, and to the students themselves for being such engaged and creative collaborators.
Craig Steele
Digital Skills Education
If you work with young creatives, we can help them think more clearly about social media, websites, online portfolios and how they present themselves professionally online.